Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Peter Paul Rubens
Detail of portrait of Schubert, Franz

ID: 48660

Peter Paul Rubens Detail of portrait of  Schubert, Franz
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Peter Paul Rubens Detail of portrait of  Schubert, Franz


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Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.  Related Paintings of Peter Paul Rubens :. | Horse | Portrait of naked man | Portrait of Susanne Fourment (mk08) | The Landing of Marie de-Medici at Marseille | The Triumphal Car of Kallo |
Related Artists:
j. f. willumsen
(7. september 1863 i København - 4. april 1958 i Cannes) var en af pionererne bag det moderne gennembrud i dansk billedkunst omkring 1900. Han var primært maler, men mestrede de fleste kunstarter og arbejdede desuden som billedhugger, grafiker, keramiker, arkitekt og fotograf. J.F. Willumsen studerede ved Det Kongelige Danske Kunstakademi fra 1881 til 1885. Efter tre forgæves forsøg på at blive indstillet til afgangsprøven på Kunstakademiet, studerede han på Kunstnernes Frie Studieskoler i København. I 1891 var han med til at stifte Den Frie Udstilling, hvis udstillingsbygning han tegnede i 1898. Willumsen opholdt sig i hovedparten af sit liv uden for Danmarks grænser, hovedsageligt i Frankrig, hvor han under et ophold i Paris 1890-94 blev præget af symbolismen. I de følgende årtier blev han eksponent for flere af epokens kunstretninger og hans stil ændredes i mere ekspressiv retning. Willumsen tilbød en stor del af sine værker og kunstsamling til staten og arbejdede fra 1930'erne på oprettelse af et museum. I 1957, året før hans død, åbnede J.F. Willumsens museum i Frederikssund.
askevold
Anders Monsen Askevold was born in Askvoll, Norway in 1834. His early training started at the age of thirteen in Bergen under Hans Leganger Reuch. He trained in Dusseldorf under Professor Hans Gude from 1855 until 1859. and he is known as a member of the Dusseldorf school with others like Adelsteen Normann. From 1861 to 1866 he was in Paris. After this he moved back to Dusseldorf where he would spend his winters in Germany and his summers in Norway. Askevold did some commissions for churches in Norway. He died in 1900 in Dusseldorf.
Tait Arthur Fitzwilliam
English-born American Painter, 1819-1905 American painter and lithographer of English birth. He spent the first three decades of his life in England and arrived in New York in 1850. Steeped in admiration for the subjects of Edwin Landseer and the style of the Pre-Raphaelites, he established himself as a realistic painter of animals and sporting scenes. For his images of Western hunters and trappers, he used as sources the works of George Catlin and William Ranney, artists who, unlike himself, had travelled extensively. He established a summer studio at a camp in the Adirondack Mountains, where he painted sporting scenes. These wilderness scenes, often composed around an anecdote, appealed to a wide popular audience, and from 1852 Currier & Ives as well as Louis Prang published a number of lithographs and chromolithographs of his work. Tait also composed still-lifes of game birds and, in his later career, barnyard scenes of sheep and chickens. His painting A Tight Fix: Bear Hunting in Early Winter






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